| Hullabaloo | | | | on by his screened-in-door behind him to his right side, |
| (Part of the End) And so Shannon O'Day knew that | | | | that led into the kitchen, where'll the bugs gathered |
| very first morning of October, 1953 knew that Kent | | | | peacefully, with no worries, no need to escape the |
| Peterson would be where he was always in the wee | | | | death hand of fate, and Kent wanted to talk a little |
| hours of the morning, on that porch of his waiting for | | | | while with Shannon, but he never stopped long enough |
| him to walk through the front gate to paint, and | | | | for the old man to get a syllable out, just kept right on |
| Shannon could no longer withstand, the moment had | | | | walking by, just like those bugs behind him, so he |
| simply come to that point that no longer could both | | | | treated the old man, as if he wasn't there. |
| breathe the same air in the same farmyard, in the | | | | (Trains) By the time he got back to his farm, he |
| same county, and same state, on the same day, and | | | | grabbed a jug of whiskey out from under his kitchen |
| what he said pushed him over the forbidden line, the | | | | cabinet, walked a mile to the train tracks, sat on the |
| red line. And so lacking his patience, and perseverance, | | | | edge of an embankment, waited and watched for the |
| to subdue his pride, to withstand his nagging, his | | | | trains to come and go by, those coming from Chicago, |
| persistence, he fell back on that right to defend it, the | | | | to St. Paul, a few stopping in Stillwater Township first, |
| way he did in the war, the Great War, the one he | | | | about twelve miles away. The train it self, he liked to |
| earned a medal for killing his enemy, with his rifle, | | | | hear the four whistle blasts for a crossing, the |
| bayoneted, like Kent Peterson was to him now. But | | | | headlights, the nosy engine, see the shadows of the |
| the war was of course over. | | | | engineer, and conductor, and fireman, and watch the |
| It began in the fall of 1953, or a year prior. Oh maybe | | | | slowing down of the coaches, the people in the late |
| not, perhaps it started in the summer of 1951, or even | | | | dining room car. The black waiters going back and |
| sooner, but it shaped itself into a hullabaloo between | | | | forth with food for the rich: then the back lights of the |
| the two, when he was ordered to paint his house and | | | | train were gone as fast as they had appeared in a |
| barn, paint for fifteen days. It all stemmed from | | | | clap of an eye. |
| arrogance, intolerance and pride, and then destruction. It | | | | Between the long days of working for Peterson, and |
| all started when they started to breathe the same | | | | his hours of drinking after twilight, he became a |
| Midwestern air day after day after day, because he, | | | | fleshless, sleepless, foodless near mindless, empty |
| Shannon, was not a contentious man, not like Kent, but | | | | man, a shell of a man, all over that twenty-dollar horse, |
| he was defending his wimple rights, in the only way he | | | | that now was worth seven time that amount because |
| knew how. So perhaps Kent made his own fate, | | | | he wanted to fool Mr. Peterson, in feeding him, for a |
| destiny when he finally impinged on Shannon's, if indeed | | | | short fall and long winter, because he couldn't afford to |
| he we can say that is what he did, provoking Shannon. | | | | do it. But Mr. Peterson had fooled him, and fed him |
| This was all after Shannon's wife left him, and | | | | knowing quite well if he did, he'd get fifteen days of |
| Shannon had rented out a farm next to Kent | | | | work out of Shannon. |
| Peterson, who was rich enough to have several | | | | (Frozen Anger) It was as if Shannon wanted to get |
| Negro workers on his 400- acres of land. The problem | | | | mad, or madder each day he worked, and anger |
| was Gus, his brother was gone out of town, not | | | | grew, but he didn't want to cause trouble, he knew he |
| around to help him out of this jam, he was down | | | | owed Mr. Peterson, and was determined to pay him |
| visiting Mabel's parents in Fayetteville, North Carolina | | | | back, even if he had to drain every ounce of blood out |
| celebrating for a month their anniversary, their 35th | | | | of him. And he knew inside of his cup of anger, if it |
| anniversary. | | | | overflowed its rim, Kent's life was at risk, and thus, it |
| (The Beginning) It was Shannon's one and only horse. | | | | mustn't reach that stage. |
| Not having much money, and trying to do what his | | | | Day Fifteen |
| brother did create a self-sufficient farm, an | | | | When he woke, it was tomorrow morning, day fifteen. |
| independent one, asking no favours of any man, paying | | | | (Rest of the Ending) It was 5:00 a.m., when Shannon |
| his own way. He-the horse (called: Dan), had strayed | | | | got down to Kent Peterson's farm a two mile hike |
| off in fall, into the skeleton cornfields next to his farm, | | | | from his, he was disturbed, so old man Peterson did |
| and there he was over by Kent Peterson's place, and | | | | notice, and being indifferent, he didn't much care, said |
| Shannon couldn't feed him so he left him there; and | | | | quietly, eating a biscuit, eating it steadily, standing on his |
| lived the whole winter without him, let Old Man | | | | porch, Shannon didn't even notice him on his porch as |
| Peterson feed him, knowingly feeding him. So Peterson | | | | he walked by, until he said, |
| feed the horse, knowing it was Shannon's, the rest of | | | | "Looks like you had a hard night drinking," never thinking |
| fall, and through the winter-a long hard cold winter, and | | | | he didn't have time to plough and hoe, and get his |
| when spring came, then Shannon went to get his | | | | ground ready for planting, on his farm, that perhaps |
| barren horse, worthless horse, his twenty-dollar horse, | | | | that was on his mind as well, nor did he have a dinner, |
| but he was fat and healthy now. | | | | or breakfast, and his usual coffee, as the old man |
| (The Deal) According to Mr. Kent Peterson's | | | | usually had simply slept away his afternoons. |
| calculations, and the sheriff from Dakota Country, | | | | (Shannon had taken from his army gear, the dull and |
| Sheriff Terry Fauna, who had asked a few other | | | | rusty bayonet the one he had used in the army in the |
| farmers what the horse was worth now, and they all | | | | Great War, to scrape the old paint off the last wall of |
| agreed it was valued at $140-dollars, not the | | | | the barn and finished this last and fifteenth day of his |
| $20-dollars Shannon had paid, now that it was fed and | | | | penance, and bring home his horse; the bayonet almost |
| exercised, and groomed. Thus, this was the price tag | | | | as long as the forearm.) |
| for Shannon to acquire his horse back, according to | | | | "Now what?" asked Shannon? |
| law. | | | | "You, look like a zombie," he remarked. |
| Yes indeed, all this trouble over a twenty-dollar horse, | | | | "I'm burnt out old man, shut you mouth and let me work |
| that now would cost him $140-dollars because he | | | | my last day out." |
| wanted to fool Mr. Peterson, in feeding him, for a short | | | | He then went over to the hedgerows and patches of |
| fall and long winter, because he couldn't afford to do it. | | | | woods to take a leak- concealed and undetected. But |
| "All right!" Shannon had said to Kent Peterson, to this | | | | the old man followed him, was right behind him, |
| sheriff, "I'll work the fifteen days to get my horse back, | | | | "You owe me one more day's work Shannon, for |
| peacefully, if that's what you all want, and if that is | | | | feeding that house of yours for the last fifteen-days," |
| what it takes, I guess I'll have to do it, I went through | | | | still chewing on that biscuit. |
| the Great War, I can do this standing on my hands, I | | | | Inflexible, was the old man, silent was Shannon, as he |
| can withstand you both likewise." | | | | did his duty, and he thought: 'Maybe if he worked |
| And he, Shannon felt forlorn and defenceless he | | | | today, and tomorrow, tomorrow wouldn't be the last |
| wished his brother Gus was back from down south, | | | | day either. Maybe there would never be a last day, |
| he could straighten things out, but he wasn't. | | | | period!' |
| 'If Gus was back,' he thought, 'he would have settled | | | | He put his hand under his coat, his fingers around the |
| this issue with the horse, he knows the sheriff and Mr. | | | | handle of the bayonet, pulled it out slowly, his fingers |
| Peterson,' but he was too impatient. And so he agreed | | | | already tightening and taking up the slack around the |
| to work for Mr. Peterson for fifteen days, to get his | | | | handle, 'I'll never satisfy him,' he told himself, whispered |
| horse back, lest he lose both the goat and the rope. | | | | out loud a second time, without thinking, and between |
| Shannon worked for Kent, on his farm, painted his | | | | the scream and the bayonet and its impact of the |
| house a two-story frame building, then his barn, all | | | | thrust for him to say to Kent, and for Kent to have |
| 440-square feet of it. He had fifteen days to work off | | | | reasoned with it: 'I'm not killing you because of the |
| (nine days being spent on the house), and as he | | | | fifteen days of work, that's okay, I done reasoned that |
| worked on the shifted from the house to the barn | | | | out, and not because you're rich and have no limits, and |
| from sunup to sundown, he watched the young men | | | | sleep all afternoon in that hammock of yours, but |
| and girls from the city driving by drinking in their cars, | | | | because of that one additional day you added on." |
| and he'd stop painting the barn to watch them, and the | | | | The case of Shannon O'Day never did reach the |
| couples and old people, children. The barn faced the | | | | courts, it was said, (some years after the incident of |
| highway, the cars all moving in two directions. He could | | | | Mr. Kent Peterson) someone paid the judge to dismiss |
| even hear their radios on, playing music-loud. He | | | | it, and a check in the mail came from down south, for |
| followed each car with his eyes, at night too, a lantern | | | | $10,000-dollars, delivered personally to the judge. And |
| outside the barn lighted as now. | | | | an eye witness showed up at the district attorney's |
| (The Barn) On the tenth day, now working at night on | | | | office, said, there was another man hiding in the |
| the barn, he heard the freight trains pass, which did | | | | woods, which had it in for old man Peterson, an old |
| almost at anytime throughout the evening, let alone the | | | | worker, and grabbed Shannon's bayonet, and did him |
| other passenger trains. So just by spending the | | | | in. When Shannon was asked if he killed Peterson at |
| evenings in one 440-square foot area, with only a little | | | | the inquest, or not, he answered, "I rightly don't know, I |
| movement, he would hear maybe three or six trains | | | | hadn't had any sleep for days, or food, and when I |
| before twilight. | | | | woke up, I had a nightmare that I did, and the police |
| When his day and evening was finished he'd walk past | | | | was hauling me down to jail." |
| the old man, Kent on his way home, a two mile walk | | | | Then the judge said, "We don't put people in |
| to his farm, as he sat in his dim rocking chair on his | | | | penitentiaries for nightmares, in this country of ours; |
| porch in the cool of the dark evening, an electric light | | | | inefficient evidence, case dismissed! |